Against better judgment, our hosts were persuaded to watch a 2nd Steven Seagal film. With a plot that hasn’t aged well, Marked For Death falls flat because of a weak central pillar – Seagal himself.
We’re updating fantasy. Last week we saw what a fantasy action film from the 80’s looked like. This week we’re taking a look at modern fantasy action. It has a big budget and graphic violence. Listen to discussion to get all our thoughts in this weeks three minute review.
Well it’s a classic for a reason. I went into this rewatch with an expectation that it wouldn’t be as good as it’s reputation, but I was pleasantly surprised by how well this cynical, slow burn of a movie holds up.
Chinatown tells the story of private investigator played by Jake Gittes, played by Jack Nicholson, who is hired by a suspicious wife to see if her husband is having an affair. Jake gets a lot more than he bargained for when his investigation uncovers murder, corruption, and the dark side of sunny Los Angeles.
I first saw this movie probably 15 years ago when I was just diving into classic cinema. It didn’t do much for me at the time. I was young and found it slowly paced, quiet, and convoluted. When I saw it was now streaming on Netflix, I thought it might be time to give it another shot. I’m glad I did because this movie is excellent.
It has a stellar screenplay by Robert Towne. It tells so much of the story through visuals and action. When dialogue and exposition are used they employ masterful subtext to get the point across. The story unfolds in a true slow burn. If you pay attention to what’s happening the story just crackles all the way through. I don’t recommend trying to watch it on your phone while you do other stuff. In order to get the most out of this movie you really have to commit to watching it and pay attention to the nuances on screen.
I was really struck by the world the movie creates. It paints an idyllic and idealized version of Los Angeles in the 1937. The sunshine is beautiful. The clothes are impeccable. The suits and hats are neatly tailored and worn just so. Jake apologizes to a lady for using the word broad to describe a woman. But at the same time it shows a gritty violent and realistic depiction of the world. When Jake gets into a fistfight it is messy and ugly and feels very real. When his nose gets cut in a very famous scene the violence is quick and shockingly painful to watch. I found this dichotomy of impossibly perfect and realistically messy incredibly engaging.
The acting here is also fantastic. It’s very naturalistic and understated. We all know Jack Nicholson can go over the top, but here he feels so natural and at ease. Faye Dunaway gives a wonderfully nuanced performance as a sort femme fatale with deep wounds and deeper secrets. John Huston is iconic with that drawl of his talking about the future.
The direction here is self assured and steady. The camera lingers and the edits are methodical. This is a movie that is in complete control of its vision. It was refreshing to see something so stylistically different from what we get these days.
Now the big question is does this movie hold anything for a modern audience? Some classic are amazing but won’t do much for the average viewer. I think this one will. I think that if you’re looking for a good crime thriller this one will hold up and be a great surprise to many viewers. It feels oddly contemporary while still feeling timeless. I think if you give it a real chance you’re going to get a lot out of it.
This is my cup of tea. A+
This week we take a look at an 80’s fantasy story involving some great fantasy concepts, fast pacing and a very fun low budget aesthetic. This charming little film won us over. Will it do the same for you? Listen below to find out.
The latest Netflix release feels like a worse version of a dozen different movies I’ve seen. A charming lead can’t save the movie from the films clunky and awkward execution.
The film opens with Jill Adams played by the lovely Gina Rodriguez, as she finishes up her shift and steals some prescription drugs which she sells to the most generic drug dealer type in movies. She goes to see her kids who are living with their grandma and take them to school. On the way something happens that takes out the power all over the world. Their car dies and gets hit by another vehicle. They tumble into the lake.
The movie has its one effective scene here where we are put inside the car and feel the claustrophobic dread as the car sinks.
That night they discover that no one in the world can sleep. The world instantly descends into chaos and self destruction. The movie hurries itself through the usual end of the world tropes. Religious zealotry, rioting in the streets, military action, and the scientists desperately trying to save humanity.
What works? Not much. Even the decent elements are undone by terrible direction and awful writing.
There’s a scene in which a group of characters are yelling at each other and someone walks up behind another character and shoots him in the back of the head. It’s filmed in the most clumsy way possible. There’s no build up. There’s no tension. The characters start yelling. They continue yelling. Bang! Then we move on. If it was an intentional choice to film it so awkwardly, I don’t know what they were going for. If it was a mistake, and they just didn’t get enough angles, I’d understand. But serious it’s just bad regardless.
A problem I have is that the movie is in such a hurry to hit all the apocalypse high notes. We rush from the event to people losing their minds almost instantly. The pacing feels like they’re trying to get the movie over with as quickly as possible.
The real story here is that of a mother with a troubled past earning the respect and love of her kids through the crucible of extreme circumstances. This should work because it’s works a million times before. Abad parent becomes a good parent amidst an alien invasion, plague, or war is a well worn trope. I don’t buy it here because Gina Rodriguez doesn’t look old enough to have two kids. Her teenage son looks roughly her age. She has no chemistry or relationship with the kids from beginning to end. They feel like perfect strangers throughout, so when they cry out for her in the end I don’t believe it for a second.
I really like Gina Rodriguez, and I wanted to like her here, but she’s just lost in this mess. She does her best, but you can’t save a sinking ship through willpower alone.
This is a paint by numbers movie that never amounts to much. I checked it out sight unseen because I’ve had good luck with Netflix’s recent releases, but yikes this one was a dud.
Not my cup of tea. Skip it! D
One last complaint, this film features Finn Jones. He’s terrible. I’ve never seen him give a halfway decent performance. He always looks painfully uncomfortable on screen. He delivers all his lines like he’s confused by them. Terrible.
There’s a lot to love/hate in this bizarre 80’s fantasy action film. It has incredible production value and a glacial. It has an amazing villain performance, and a terrible hero performance. It has great makeup work and some truly terrible makeup work. It’s a mixed bag for us. Listen to all our thoughts below.
A strong addition to the Conjuring series that doesn’t surpass its predecessors but does offer a lot to enjoy.
The film opens with a brutal and intense exorcism of a young boy named David. It took me a second to realize that David was indeed played by the cute kid from Netflix’s The Haunting of Hill House Julian Hilliard. The poor kid just can’t catch a break with all these demons. There’s a shot ripped straight out of The Exorcist. I’m not sure if it qualifies as an homage or if it’s just a ripoff here.
Anyway, the family is being aided in their demonic troubles by Ed and Lorraine Warren, played once again by Patrick Wilson and Vera Farmiga. During the exorcism Arne Johnson, played by Ruairi O’Connor, tells the demon to take him instead, so it does. It leaves the little boy and takes Arne. At first everything seems okay. Life goes on.
However, when Arne’s landlord antagonizes Arne, he begins seeing nightmare visions and defends himself with his knife, murdering his landlord and landing him in jail. The Warrens step up to help Arne with his legal defense. His defense? Not guilty by reason of demon possession.
Right away the movie gooses the Conjuring formula of a family in an evil house by turning our ghost fighters into ghost detectives almost as they try to uncover the source of the demon and who sent it against the innocent David and Arne.
This shift works really well in some spots and less so in others. We lose the immediacy of the stuck in the house setup. We also lose the horror of the home. For most people home is a safe space. It’s where you feel the most protected. In a ghost story your safe space is infested with danger and fear. When you’re scared as a kid you run into bed and hide under the covers. In the Conjuring world, the demon will pull you right out from under those covers. This movie loses that but gains a wider variety of locations to haunt.
The biggest shift from the first two films though is the director. James Wan directed the first two with clear cinematography and a slow build up and payoff. The director here is Michael Chaves. His visual approach could not be more different. He suffocated his characters with shadow. I’d say 75% of every frame is darkness. It isolates the characters and creates an oppressively ominous atmosphere.
Chaves also launches into wild expressionism in moments of possession. We get thrust into the POV of characters undergoing possession and seeing the horrifying imagery that accompanies that evil. These leaps into expressionism are intense and serve to untether the viewer and keep them off balance, constantly wondering what’s real.
I have some problems with the movie. One is the evil that they’re fighting is sort of nebulas and unmotivated. When discussing why someone would want to hurt little David the only answer offered is essentially evil people are evil. That’s just not compelling to me. I’d like a little more in my demonic villains. Do they want a soul? Do they thirst for blood? Were they wronged in the past? I’d just like a little something to give the villain shape.
There’s a cliff side sequence that looks so incredibly fake it pulled me right out of the movie. The cgi work is abysmal here. It looks like Patrick Wilson and Vera Farmiga standing in front of a watercolor backdrop. It’s incredibly unconvincing. It’s hard to be afraid when you don’t believe what you’re seeing.
Overall, this is a really good scary movie. It’s not great like its predecessors, but it is a good time. If you like these characters and their series this will be a fun time.
It’s my cup of tea B+
This series truly lives up to the title feel good show. It has an indomitable positivity and a true love for its characters. It made me laugh out loud every episode and brought me close to tears at times.
The series follows Ted Lasso a charmingly goofy and relentlessly positive American football coach who is hired to coach a soccer team in England despite the fact that he knows nothing about soccer. Ted Lasso is played by Jason Sudeikis of SNL fame. He is silly as when he asks his friend to goof off with him if they dream about each other. He is endearingly positive as when he marches into a new country and a new sport with the biggest smile on his face. He’s also heartbreaking in moments of personal challenge. He has a phone call home in the first episode that blew me away. He carries the show, but he’s not alone.
The woman who hires Ted is Rebecca Walton played by the very imposing, very lovely, and very tall Hannah Waddingham. She won the soccer team in a divorce settlement with her wealthy philandering her of an ex husband. He really is awful. She knows that the soccer team was the only thing he ever really loved. She decides to destroy it by hiring Ted. If you think you know who this character is or where the story is going to take her you’ll be surprised. She isn’t shrewish or evil. She is a wounded person who is working through her pain in an unhealthy way. She is full of layers and depth that are so much fun to explore as the show goes on.
Joining Ted is his assistant coach and friend Coach Beard. He’s mostly silent, but has some of the funniest lines in the show. His friendship with Ted is the kind everyone should have.
The star player on the team is Jamie Tartt. He’s an arrogant young hotshot and a real jerk, but as the season goes on he too has his layers peeled back to reveal a real person underneath.
Jamie’s girlfriend is Keeley Jones played with effervescent energy by Juno Temple. She is a delight. She is an earthy working class girl who describes herself as being famous for being almost famous.
Then there’s Nate. He has such low self esteem and feels so insignificant that he is shocked to discover that Ted remembers his name. He blooms and grows over the season in a delightful way.
I fell in love with this series. It is a real breath of positive fresh air. It has elements of sports movies, but doesn’t go all out with sports cliches. It is a very funny comedy, but really gives us the serious moments to ground it. It has so much heart and pathos, but doesn’t drown in it. The series is really about making friends and building relationships, and that feels like a great antidote to the world in which we live.
I don’t usually review series because the mechanics of TV and movie story telling are so different, but this one feels like a united piece. A real story told over the course of ten episodes. It’s on Apple TV plus. Which is too bad because while it is a pretty solid streaming service no one has it. If you can get a free week promotion get it and watch this show. Even if you have to pay for a subscription it’s worth the $6.
Check it out. It’s absolutely my cup of tea. A
This is a tense and wonderfully directed horror film. That lives up to its predecessor in spite of never quite matching its high points.
This is a sequel to the surprise horror hit of 2018 A Quiet Place. The film begins before the events of the first film as we are shown the arrival of the nasty alien creatures that hunt humans based on sound. Their hearing is so acute that even the subtlest of noises can attract the monsters. After a wonderful opening sequence, the movie picks up immediately following the events of the first film with the Abbot family having to leave their farm in search of other survivors. Emily Blunt is great as ever as Evelyn Abbott the matriarch with a lot on her plate. But the standouts here are Millicent Simmonds as Regan the deaf daughter who thinks she may have a way of defeating the aliens. And Noah Jupe as Marcus the son who is struggling to grow up in this nightmare landscape.
Simmonds and Jupe give wonderful almost wordless performances. They are so expressive and emotive that every moment feels real. They are great actors doing wonderful work. They really carry the film.
We know the Abbots and the aliens from the first film. This movie introduces us to new characters like Emmett played by Cillian Murphy. Emmett is a man traumatized by his experiences surviving this world. His story is implied and hinted at, but it’s effect is made so palpable by Murphy’s haunted face and fierce gaze.
John Krasinski best known as Jim from The Office is the writer director one again, and he shows a major talent for building tension and highlighting actors performances. There’s a great moment in which Regan is struggling with a first aid kit and we see an alien enter the room and approach her from behind. We know she can’t hear it’s approach and through simple camera work the tension is ratcheted up to eleven. A different kind of moment all together involves Emmett struggling to come to terms with everything he’s endured as he faces a sunrise. He stands still as the camera circles him and the waves of emotion crash over his face. It’s a really great moment and highlights so much of why Krasinski has a great future ahead of him as a director.
The film doesn’t reach the terrifying heights of the bathtub scene in the original. It also doesn’t have the powerful emotional core of the family unit that the first film uses to great effect. The movie falls into the sequel trap of splitting up its main characters for the follow up. This challenges the characters in new ways, but also sacrifices the group dynamic that made the first film so strong.
The ending is odd because it’s really drawn out then it ends extremely abruptly. And there are some logical inconsistencies within the world which you can nitpick over for hours after.
I wouldn’t let those issues spoil the movie for anyone. This is a great time at the movies. I saw it in the theater. At the start there was rustling wrappers and whispered chat. Very quickly the entire room fell silent as the movie wove it’s spell. I overheard someone at the end say they didn’t know what they’d do with all the movie snacks that they forgot to eat during the movie. I think that’s pretty high praise.
If you can see it safely in the theater, do it. It’s worth it for the group experience. Horror movies are always fun with a crowd, and this one was a great experience.
This is definitely my cup of tea. A-
Heading into the 1980’s Francis Ford Coppola was at the top of his game with massive critical and commercial successes in films such as The Godfather, and Apocalypse Now. He decided to open his own studio and change the way films would be made. He poured his heart, soul, and money into it. The film he created was a visual feast and a stunning creation. It was also a massive failure that bankrupted his studio and sent him into a creative slump. He became a director for hire working on any project that came his way in order to pay off his debts.
As we continue to look at movies that were massive failures, we check out this one that was not only a box office bomb, it broke one of the best filmmakers of all time.