Did you want massive monster fights? You got it along with a lot of dumb stuff that nobody asked for. Thankfully there’s enough spectacle, action, and surprisingly heart to make up for it.
This movie mashup is the latest installment in the “monsterverse” an attempt to duplicate Marvel superhero films success. It is the second sequel to 2014’s absolutely terrible Godzilla, and the first sequel to 2017’s Kong Skull Island. If you haven’t seen any of the other films in the series it will make the viewing experience uneven.
This film takes a lot of time reintroducing Kong. He’s been held in captivity. He’s alone and angry and mistrustful if the humans, except for a little girl named Jia played by Kaylee Hottle. They’re moments together are really wonderful and give the film much needed pathos.
Godzilla on the other hand is introduced here destroying a factory in darkness. He then disappears until he comes back to attack Kong. He really isn’t given a personality or story. He just destroys anything that could be a threat to him. He’s very one note and frankly boring compared to the compelling Kong. It doesn’t help that Kong is given a deeply expressive face with a rich emotional palette, and Godzilla’s face looks like a pile of rocks. No emotional connection is possible with Godzilla.
When these two meet however this movie starts to soar. There’s something deeply satisfying about watching a giant ape punch a giant lizard in the face while standing on top an aircraft carrier. It reminded me of being a kid and bashing action figures together. It’s visceral and silly and fun. The brawls and action are a ton of fun throughout. There’s a lot of creativity in the fighting, a good use of setting and props, and a great sense of epic scope that I loved.
The movie has the problem most big budget movies have these days. It’s two movies mashed together. Just commit to one story Hollywood good grief!
The better story follows along, Jia, and Jia’s adoptive mother played by the always wonderful Rebecca Hall. They are trying to find a new home for Kong. She has a bond with the big fella and the three of them learning to communicate and trust is a really nice story that plucked my heartstrings in just the right way.
The dumb crappy story follows two teenagers and a conspiracy theory podcaster as they fall back-asswards into a massive corporate conspiracy to eliminate monsters and put humans back on top. It’s full of awkward comedy that doesn’t land. Stupid characters that are just so annoying and idiotic plot developments that just make me mad when I think about them. They literally short circuit a doomsday weapon by pouring whisky on a keyboard. So so dumb.
While that dumbness is going on though we have this stellar sequence where Kong and his friends journey to the center of the earth and find an incredible world of visual wonder in which gravity goes all screwy and some really cool visuals play out. It’s a beautiful sequence that I loved. I’d watch the movie again for that sequence.
The film is directed by Adam Wingard who made one of my favorite Halloween movies, You’re Next, and the underrated gem The Guest. He handles the human drama and the spectacle wonderfully. Although he gives too much time to dumb subplots and his pacing feels way too fast. (The climactic battle feels too rushed for it to land for me.) but that aside he really gives this film what it needs to set it apart from the rest of its ilk.
It’s big. Its dumb. It’s fun. I enjoyed most of it, and I can ignore the stuff I hated. Its in theaters and streaming on HBO Max if you’re looking for a good dumb time at the movies. It’s half a cup of tea for me. B+